“Spring,”
the first chapter of Kim Ki-deuk’s movie “Spring, Summer, Fall, Winter, Spring,”
is about a child monk and a lesson that he learns from his mentor. The boy, as
a childish prank, ties a fish, a frog, and a snake to individual stones. He
then watches, laughing, as they struggle to move. Later that night, while the
boy is sleeping, his mentor, an older monk, ties the boy to a stone as the boy
did to the animals. The next morning, the old monk tells the boy to find those
animals that he harassed the day before and let them free. The boy finds the
animals but, much to his grief, the fish and the snake had already died.
The
lesson that the old monk wished to teach the boy was probably one of humility. Humans,
even a young boy like the child monk, obviously have an upper hand in terms of
strength or intelligence compared to animals such as fish, frogs, and snakes.
The boy, in a naïve joke, misused this power to treat the animals poorly, and
made them go through sufferings that they did not deserve. While the action
itself was not nearly an atrocious crime, the older monk saw that it would be
necessary to teach the boy about this by letting the boy experience the
hardships himself. Letting the boy experience the error in his ways personally
would, the monk probably believed, would have a long-lasting impact on the boy
and prevent any future incidents of similar structure but larger scale. This
lesson is significant not only to the life-revering Buddhists, but to all
people that are in a position of power compared to others.
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